check out these photos and performance reviews
"there are five strong performances on display - Aviles' Anthony is especially appealing..." Chris Jones, Chicago Tribune. "The actors are solid...Aviles has a stylish street smart quality that also suggests a deep sadness." - Hedy Weiss, Chicago Sun Times
The Boiler Room at Steppenwolf Theatre |
Guerrilla Theater with El Teatro Campesino. It was a dream come true to work with these amazing artists.
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"Aviles, who is so inside his character that you completely forget he is acting, beautifully evokes all the changing weather fronts in Angel's psyche." - Hedy Weiss , Chicago Sun Times. Jesus Hopped the 'A' Train at Steppenwolf Theater.
"An excellent Eric Avilés" - Robert Hurwitt, San Francisco Chronical - My Mañana Comes at Marin Theater Company
"Avilés' eyes convey an inner struggle, all the more significant for being unspoken." - Robert Hurwitt, SF Chronicle - My Mañana Comes at Marin Theater Company
Eric Aviles - a wiry actor of formidable magnetism does memorable work... Chicago Sun-Times |
"Aviles's Angel actually breaks our heart from the opening scene...an actor who embodies a character so completely that you want to hug the fright out him." - Patti Roberts, Sacramento News Review. Jesus Hopped the 'A' Train at Capital Stage Theater
In the Seagull by Chekhov, playing Doctor Dorn at Columbia University directed by Mei Ann Teo.
Lauis in the World Premiere of Oedipus El Rey by Luis Alfaro at the Magic Theater in San Francisco.
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Maria Circular Dance, a United States premiere at Borderlands Theater in Tucson, AZ. This production was reproduce for the first National Latino Theater Festival "Encuentro" at the Los Angeles Theater Center.
My wife Arlene and I performed at Queens Theater and get a write up in the New York Times! - "Camilo Almonacid’s “After the Crowds,” a subtle two-hander featuring immigrant janitors from Colombia (Eric Aviles and Arlene Chico-Lugo) on cleanup duty in 1964. It is smartly broken up into three parts, and with each appearance the two deepen a portrait that by the end encompasses immigrants of all sorts in all times."
My wife Arlene and I wrote and performed an original performance about Isidor and Ida Straus who died in the sinking of the Titanic. Performed at the Woodlawn Cemetery during the Halloween weekend.
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Dance for a Dollar at Intar - NYC.
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Bubbles for Hope by Andrey Bartenyev.
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La Paloma Prisoner by Raquel Almazan directed by Charlotte Brathwaite
Creating original devise theatre based on personal lived experiences with youth in Dayton, Ohio. In partnership with the Muse Machine and Ping Chong & Company.